Mastering For Vinyl Tips

The sequencing difference is that delivery from mastering for digital is either individual wav files for download or a single ddpi file for cd replication whereas for vinyl the delivery is generally two wav files one for each side of the record.

Mastering for vinyl tips.

Vinyl is more popular now than it has been for many years but mastering your music for vinyl requires a different approach to other media. Remember though there are many dos and donts of de essing. Don t limit the mixdowns too much. While limiting makes the average level of a digital track louder it will cause lots of trouble at vinyl mastering.

Due to the physical nature of the cutting and playback process there are a number of considerations and limitations that must be addressed in mastering. Mastering for vinyl when submitting your music for vinyl production it is very important that it has been mastered for the vinyl medium. And therefore many variables are at play. Below are some tips in how to master audio for vinyl.

Don t get me wrong i love it dirty. Mastering for vinyl has its own special set of considerations. For vinyl the optimum source is 24 bit dynamic and limited either extremely lightly or not at all. Most of the issues with vinyl is high end stuff cymbals probably being the biggest thing.

Just be careful as digital distortion easily becomes more apparent when transferred to vinyl. Andre calilhanna audio mastering excerpted from our new guide the musician s guide to vinyl this post digs into post production audio mastering for vinyl records. Mastering is the final step in the recording process which takes place after the mixing process post production to optimize and add the final sonic touches to your recordings. Taming them is really important for getting good audio quality on vinyl.

Applying a low pass filter on the entire mix cutting off around 16k will also help. If you re mastering strictly for cd start by setting your final limiter s output ceiling to 0 2 or 0 1 dbfs never to 0 0 or intersample peaks can sneak through and cause distortion on consumer playback devices. At the end of the day listening to records is a mechanical process. Manual de essing of a digital cutting source is also a preferred method for many vinyl cutters and mastering engineers.

Izotope rx 7 s de ess module does an excellent job of isolating harsh sibilance with a transparency that s suitably unobtrusive to the overall sound of the master. The only way to make sure your master is ideally suited for the vinyl format is by hiring a professional mastering engineer to pre master your material for vinyl. Izotope rx 7 s de ess module does an excellent job of isolating harsh sibilance with a transparency that s suitably unobtrusive to the overall sound of the master.